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Entries tagged as ‘culture’

Vampire Weekend in London

March 13, 2010 · Leave a Comment

vampire-weekend

A recent live performance by Vampire Weekend at the Garage in North London as part of their current UK tour was a reminder that not all bands embrace the element of surprise. (more…)

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Pimp My (Friends’) Books

March 8, 2010 · Leave a Comment

for-us-surrender

I don’t usually write about music or journalism produced by friends or colleagues, but when friends or colleagues happen to produce badass work, I gotta give due credit.

The San Francisco-based Mac McClelland, a former colleague of mine at Mother Jones, recently wrote a book about refugees from Burma called For Us Surrender is out of the Question, after living with refugees there in 2006. She tackles her subject with such a candid sense of humor that prompted me to tell her in a recent email that she was completely “punk rock.” She agreed.

Milan-based Joel Schalit, a fellow skateboarder and musician who gave me much journalistic motivation while living in London last year, recently wrote a book called Israel vs. Utopia, about Israel’s perceived identity in the West. This from the same writer who taught me to pay more attention to fliers, graffiti, adverts, street signs, menus, and other things you pass every single day.

Reactions to Joel’s work are here. More about Mac is here. Coincidentally, Schalit is the former associate editor of Punk Planet, which was published by Soft Skull Press, the same folks who published McClelland’s book.

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London Rides the Flamenco Train

February 12, 2010 · Leave a Comment

flamenco

“I think the best thing today is the acknowledgment that flamenco has come out of Spain and is now recognized on a worldwide scale as one of the top dance forms,” Miguel Marín, the festival director, said.

The full blog post, on London’s annual Flamenco festival, is at the NEW YORK TIMES.

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Q&A: A Place To Bury Strangers

January 22, 2010 · Leave a Comment

place-to-bury-strangers

For about six years, the New York-based three-piece band has won over audiences–and driven some away–with an ample supply of volume. The New York Times credited them with “reviving the ominous, feedback-drenched drones of the 1980s”, while the Washington Post described them as “the most awesome, ear-shatteringly loud garage/shoegaze band you’ll ever hear.”

At the 2008 SXSW festival in Austin, Texas, the band ended its set with a ten-minute-plus sonic meltdown that surely inflicted some hearing loss.

The full Q&A, with A Place To Bury Strangers, is at INTELLIGENT LIFE.

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My So-Called Private Life

January 15, 2010 · Leave a Comment

live-in-public

At the London screening I went to, there were plenty of gasps in response to Harris’s more outlandish comments and broadcast moments. Timoner is clearly trying to illustrate the problems inherent in our increasingly personal relationship with the internet. “We Live In Public” left me with an incredibly strong urge to remove myself from Twitter, delete my MySpace page, dump my LinkedIn profile and go completely offline. Unfortunately, the urge didn’t last long. Perhaps an hour later, I felt compelled (think Death Star tractor beam) to check my email and update my Facebook page status.

The full blog post, on the “We Live in Public” documentary film, is at INTELLIGENT LIFE.

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A Festival of Mimes, No Berets Allowed

January 14, 2010 · Leave a Comment

london-mime

“Visual theater” is a succinct explanation of what’s included in the festival’s lineup: the world premiere of “The Mill,” a show performed in a wheel of wood and steel suspended in the air; the bearded lady Jeanne Mordoj, who will juggle egg yolks and bamboo and perform with badgers and a mountain goat; and Circus Klezmer putting on a real-life wedding.

The full blog post, on London’s annual mime festival, is at the NEW YORK TIMES.

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Celebrating the Art of Confusion

January 11, 2010 · Leave a Comment

turkish-coffee

In keeping with the theme that viewers of art should decide for themselves what art means, the exhibit goes to great lengths to avoid clarity and specificity (there are few explanatory placards). Works of various media (audio, photographs, diagrams) defy simple, quick definition and, depending on your artistic leanings, the result can feel maddening or enlightening. During a recent visit, three young boys sat quietly and watched a strange film depicting people in animal costumes collecting flowers and roaming around in the woods.

The full blog post, on the “For the blind man in the dark room looking for the black cat that isn’t there” exhibit at London’s ICA, is at the NEW YORK TIMES.

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Winter Not Cold Enough? Try This Exhibition

December 27, 2009 · Leave a Comment

arctic

Though not the sexiest of exhibits, little details throughout are often the most insightful: islands were often named for explorers’ wives; a 20,000-pound prize was offered in 1775 for discovery of a northwest passage; Arctic exploration was apparently assigned to the Royal Navy, who had time to kill after the Napoleonic War.

The full blog post, on London’s Maritime Museum’s Arctic exhibit, is at the NEW YORK TIMES.

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DJ Shadow’s Shadow

December 18, 2009 · 1 Comment

dj-shadow

Introducing is a talented, Oxford-based nine-piece band with a very specific goal. Every show they perform is essentially the same. With the exception of slight variations in their encores, the set never changes. Their mission? To perform DJ Shadow’s first LP, “Endtroducing”, in its entirety, from start to finish.

The full blog post is at INTELLIGENT LIFE.

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Everything Michael Jackson Comes to London

December 5, 2009 · Leave a Comment

michael-jackson

In the final room of the exhibition are several large journals full of hand-written dedications to Jackson. Most entries are addressed directly to “Michael” and written much like high school yearbook entries. “You are the meaning of life,” wrote one fan. Most thank Jackson for helping them in some way. “You were a childhood hero and inspired a million things in me,” wrote another.

The full blog post, on London’s official Michael Jackson exhibit, is at the NEW YORK TIMES.

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